Art Nouveau returns in the size it was born for: the poster. Printed in A0, A1 and A2, Mucha’s great works — Rêverie, the Seasons, Flower and Fruit, Princess Hyacinth, the Byzantine heads and the Sarah Bernhardt theatre posters from La Dame aux Camélias to La Tosca — hang beside his contemporaries: the Chat Noir black cat, the Frou-Frou dancer, the Paris Almanach, moonlit engravings and ornate angel friezes. A rich modern series carries the style onward with flowing red-haired muses framed in whiplash gold, Belle Époque ladies in green gowns, jewelled divas under starry skies and portraits crowned with purple blooms. One sheet covers a door, a wardrobe panel or a tall canvas: apply the rice paper and let 1900 bloom again across the whole surface, with that precious, poster-like presence only rice paper can give.

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